The Hunger Games - Suzanne CollinsWinning means fame and fortune.
Losing means certain death.
The Hunger Games have begun...
Losing means certain death.
The Hunger Games have begun...
Disclaimer: I have noticed that there tends to be a slight lag time between my finishing a book and typing up a review - mostly because it's easier to be objective after some distance from initial impressions. I may come back and make slight changes to this, as it's been mere hours since finishing THG.
Literally, I must be among one of the last in the blogosphere to read The Hunger Games, so originally I hadn't been planning to write a review. But. After I broke down and picked up a copy at Chapters - and devoured it - I just had to write some thoughts down. Bear with me if it's a little incoherent, as it's more of a ramble of contemplations than an actual review. We'll call it a pseudo-review.
Firstly, Suzanne Collins's The Hunger Games is an absolutely breathtaking masterpiece. I seem to be on a bit of an dysfunctional futuristic sci fi rampage these days, what with reading Anthem, The Chrysalids, and researching 1984, Brave New World, and the like. And The Hunger Games completely blew me away with its originality. That's not to say every single concept was entirely unheard of previously (hearing the premise before reading, it reminded me of Gloria Skurzynski's The Virtual War Chronologs), but the execution was definitely Collins's own.
The voice was excellent. It was distinctive, wry at times, with dispersed bits of dry humour - which is quite the feat, considering the fact that this is a book about survival by killing other kids your age. The tense - present - was barely noticeable. In fact, half the time, it was like the words fell away and the immediacy offered just brought the reader that much closer to Katniss because of the barely noticeable tense. I mean, with most books, on some level you're aware that you're simply reading the story. But with The Hunger Games, there were moments where the words just fell away and it was like actually being immersed in the story. And the flashbacks! Wow - incorporating backstory like that, in such a form, without making it seem like an infodump - that in itself is a huge accomplishment, which is more than can be said for a lot of others.
The characterization of Katniss was excellent. I enjoyed the fact that her shortcomings were realistically portrayed in an endearing way. Especially the way - epitome of show, don't tell, as far as writers' advice goes. The flaws seemed natural, not purposely fabricated to escape Sue-dom, but simply part of who she is. She's a spunky one. (And alright, I may be slightly biased, having slight feminist tendencies at times, seeing as how Katniss is such a strong female lead.) In contrast, there were slight moments of too much perfection coming from Peeta Mellark at times, but viewed from Katniss's narration, these hardly made a noticeable impact.
However, throughout the novel, Peeta's name kept bothering me. And I couldn't figure out why. But now I have - Peeta. Does that not remind you of pita bread? The baker's son? If that was indeed what Collins was going for; ingeniously sly.
The voice was excellent. It was distinctive, wry at times, with dispersed bits of dry humour - which is quite the feat, considering the fact that this is a book about survival by killing other kids your age. The tense - present - was barely noticeable. In fact, half the time, it was like the words fell away and the immediacy offered just brought the reader that much closer to Katniss because of the barely noticeable tense. I mean, with most books, on some level you're aware that you're simply reading the story. But with The Hunger Games, there were moments where the words just fell away and it was like actually being immersed in the story. And the flashbacks! Wow - incorporating backstory like that, in such a form, without making it seem like an infodump - that in itself is a huge accomplishment, which is more than can be said for a lot of others.
The characterization of Katniss was excellent. I enjoyed the fact that her shortcomings were realistically portrayed in an endearing way. Especially the way - epitome of show, don't tell, as far as writers' advice goes. The flaws seemed natural, not purposely fabricated to escape Sue-dom, but simply part of who she is. She's a spunky one. (And alright, I may be slightly biased, having slight feminist tendencies at times, seeing as how Katniss is such a strong female lead.) In contrast, there were slight moments of too much perfection coming from Peeta Mellark at times, but viewed from Katniss's narration, these hardly made a noticeable impact.
However, throughout the novel, Peeta's name kept bothering me. And I couldn't figure out why. But now I have - Peeta. Does that not remind you of pita bread? The baker's son? If that was indeed what Collins was going for; ingeniously sly.Let's face it. Most of us probably have not experienced the things that Katniss and Peeta have; going without food, being beaten for burning bread, and certainly not the Games themselves. Such is the skill of Collins, being able to pull the audience in, allowing them to emphathize with something so different, so remote. Diction choice just had to extra zesty zing.
The premise also brings up a lot of interesting concepts. We have to admit it - with the way media is going nowadays, I mean honestly, reality t.v., there's not a lot of thinking involved. Purely entertainment value, right? Somehow, Collins took this concept, tossed it into a crock-pot with the whole Gladiators concept, and churned out something so deeply thought-provoking. Is our society already headed in such a direction?
And it's not blatantly thought-provoking either; it's one of those novels that creeps up on you, subconciously starting a thought process that continues into conciousness. While being an entertaining read, especially how even in such dire situations, she is able to inject spasms of humour. The Hunger Games is utter brilliance.
I have no idea how I'm going to wait until September 1st for Catching Fire - it feels so far away. I really want an ARC - especially with that ending...
The premise also brings up a lot of interesting concepts. We have to admit it - with the way media is going nowadays, I mean honestly, reality t.v., there's not a lot of thinking involved. Purely entertainment value, right? Somehow, Collins took this concept, tossed it into a crock-pot with the whole Gladiators concept, and churned out something so deeply thought-provoking. Is our society already headed in such a direction?
And it's not blatantly thought-provoking either; it's one of those novels that creeps up on you, subconciously starting a thought process that continues into conciousness. While being an entertaining read, especially how even in such dire situations, she is able to inject spasms of humour. The Hunger Games is utter brilliance.
I have no idea how I'm going to wait until September 1st for Catching Fire - it feels so far away. I really want an ARC - especially with that ending...Phew-wee. And I really want to talk about this, without worrying about spoilers. If you've reviewed/read this, drop me a link or comment?
